Thursday, April 23, 2020

Hartford Whalers



HARTFORD WHALERS

by Eric Seddon


There used to be an ache
Where you once lived,
O Brooklyn Dodgers
Of my own
Mythology.

But now, as years
Progress, and middle
Age leaves less
And less
For sports and
Other
Imitation passions,
I find you are
Preserved,
Near perfect

Like a memory
Of youth
The awkwardness
Removed
By sanctifying graces
Of nostalgia.

Like me back then
You cannot lose:
Frozen in a
Picture:
The Civic Center
Arms raised
In victory

Over
        time.



[ 2017 ]




One of the great logos in Sports history: the 'H' for Hartford
filling the negative space left by Whalers 'W' and the tail
Photo: Eric Seddon 

Wednesday, April 22, 2020

The Old Rhinebeck Aerodrome


THE OLD RHINEBECK AERODROME

By Eric Seddon


Crosses, pelicans, storks, and old whiskey ads
Echo in reply to the mechanical music of

Zeppelin, Spad, Sopwith, Fokker,
Their miraculous alloy of air and machine.

Arthurian names of Richtofen, Guynemer,
Fonck, Eddie Rickenbacker:

War was still personal, still declared,
Pilots made newspapers, knights beyond gravity;

The aerial choreography of reconnaissance,
Resistance, close combat.

The last frontier of chivalry, the last
Time hats were tipped, respect known

For enemies, an age before death became
Raw data. When warfare depended

Upon young daring, stripped of caste
United by boldness, talent,

And skill. Revolutions in the clouds
Romance in sacrifice, I visit to remind

Myself of things our world forgot.




Dogfight reenactment at the Old Rhinebeck Aerodrome, Sept. 2013
Photo: Eric Seddon






Monday, April 20, 2020

In the Mark Twain House


[ note: from age 18 to 23 I lived in Hartford, CT, studying music at the Hartt School. On my 21st birthday, my wife and I toured the Mark Twain House on Farmington Avenue. The whimsical house has inspired me ever since, as has the man, though I tend to be as inclined to argue with Twain as enjoy him. --- Eric Seddon]



IN THE MARK TWAIN HOUSE 

by ERIC SEDDON


For five years I shared Hartford with your ghost,
The curmudgeon in the white suit, cigar chomping,
Vetting Charles Ives before he wedded Harmony.[1]

I too sought your council, your strange mixture
Of satire, narrative, and melodrama always
Flirting, sometimes indulging, in the tar pit of self-pity.

Like anyone from Hartford, it’s hard not to consider
The house itself your masterpiece. Perched
Above a field, reflective to this day

Of the whimsical genius too strong with native
Fiber to descend into pastiche. Your
First floor fireplaces, the Cat in the Ruff,[2]

The stories to your children, unrecorded,
The drawing room, the dining hall another place
Where guests could watch the snow descend to flame.[3]

And then there was the guest room, where I fantasized
Of sneaking in, past hours, staying the night
Not to speak with your ghostly shade, but mine:

A bit like yours: Divided, wounded, humorous
And sullen, equal parts romanticist
And sober modern critic of this town—

The Colt factory,[4] Yankee pride and commerce
Ingenuity bridled, eccentric ambitions
Boiling over the brims of decency—

If you had been my Virgil we’d both become
A meal for the lion or wolf or leopard,
Or maybe we’d still be there in that forest

Surrounded by chain link fences built
Of quips and comebacks, one-line wisdom
Slamming the door in the faces of pedantry.

The second floor landing where your wife heard
Enough of your foul language to unload,
Calmly, her sweet and savvy cavalcade of filth—

You marked, listened, inwardly digested
Her aria profane, then gently criticized
“You got the words all right, but missed the tune.”

And now to the spire of your castle: the third floor tower
Where you smoked, played pool, and wrote your manuscripts:
It whispers Thou shalt not covet Mark Twain’s muse,

Nor working habits, wit, success, or pathos, nor real
Tragedies hardening jokes beyond redemption—
Bringing a man to his knees or blasphemy

(It’s his to choose, not yours: you haven’t got
His daughters or his moustache or his accent
Or his particular brand of suffering:
Only yours). And so the visit ends and
We descend the stairs of this enduring
Monument to Mark Twain’s mortal life.

Past the piano where Sam sang spirituals,
Beyond the wallpaper that shimmered in gaslight,
Paper imported from the dream that was Olana…[5]

Out to the oddly clarified light of Hartford,
Home to us both, at one time or another,
Brighter now because of who you were,

Gentler, perhaps, because of what you wrote.




[ 2017 ]
  




[1] Harmony Twitchell was the daughter of Mark Twain’s best friend in Hartford, and when the young Charles Ives was courting her before their marriage, he was invited to the house on Farmington Avenue in order that the famous writer might inspect his worthiness beforehand.

[2] On the mantelpiece over the main parlor fireplace of the Twain House is a portrait of a cat wearing a ruff. When Twain’s children were young, they demanded a different, improvised story from their father every night before bed, and every story had to include the whimsical cat.

[3] The dining room fireplace was designed to Twain’s specifications that it have two flues, curving up around a central window, so that guests could watch it “rain or snow into the fire.”

[4] The Colt factory was built by Samuel Colt in 1855 in Hartford, and plays a symbolic role in Twain’s A Connecticut Yankee in King Arthur’s Court (1889)

[5] Olana was the mansion of Frederick Edwin Church, the landscape painter, and his iridescent wallpaper so delighted Twain that he had some made like it, with a pattern that glowed in the gaslight.